Products related to Identity:
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Learning Digital Identity : Design, Deploy, and Manage Identity Architectures
Why is it difficult for so many companies to get digital identity right?If you're still wrestling with even simple identity problems like modern website authentication, this practical book has the answers you need.Author Phil Windley provides conceptual frameworks to help you make sense of all the protocols, standards, and solutions available and includes suggestions for where and when you can apply them. By linking current social login solutions to emerging self-sovereign identity issues, this book explains how digital identity works and gives you a firm grasp on what's coming and how you can take advantage of it to solve your most pressing identity problems.VPs and directors will learn how to more effectively leverage identity across their businesses. This book helps you:Learn why functional online identity is still a difficult problem for most companiesUnderstand the purpose of digital identity and why it's fundamental to your business strategyLearn why "rolling your own" digital identity infrastructure is a bad ideaDifferentiate between core ideas such as authentication and authorizationExplore the properties of centralized, federated, and decentralized identity systemsDetermine the right authorization methods for your specific applicationUnderstand core concepts such as trust, risk, security, and privacyLearn how digital identity and self-sovereign identity can make a difference for you and your organization
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Fashion, Identity, Image
How has the fashion industry responded to turn-of-the-millennium non-binary identities?Do they have a supportive or exploitative relationship with queer, trans and ageing subjects?Fashion, Identity, Image unpacks these questions and many more in relation to clothing and representation, identity and body politics in British, European and American culture between 1990 and 2020.Jobling, Nesbitt and Wong explore issues of intersectionality and inclusivity through groundbreaking shows, including Maria Grazia Chiuri’s ‘We Should All Be Feminists’ catwalk show for Dior (Spring-Summer 2017), Alexander McQueen’s ‘The Widows of Culloden’ collection (Fall-Winter 2006), and the role of transgender models such as Oslo Grace since 2015.Looking to the future of our relationship with fashion, there's also an investigation of the android as a redemptive figure in Alessandro Michele’s cross-cultural cyborg collection for Gucci (Autumn-Winter 2018/2019) and the impact of the ageing population with analysis of age and memory in work such as Magali Nougarède’s Crossing the Line (2002), and pleasure and morality in fashion publicity since the 1990s for the likes of Calvin Klein, D&G and American Apparel.
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Identity Design : Design the Identity You Need to get the Life You Want
If you’re not happy most of the time it’s not because you don’t have what you want, it’s because you don’t know who you are.Identity Design is the research-driven guide to powerful and generous living.If you want more meaning in your life, you need to answer this question: Who do you want to be?Written by Judge Frank, a juvenile Court judge in Detroit who has spent years transforming the lives of young people facing extreme challenges, this is a personal manual for identity design
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Manuals 2 : Design & Identity Guidelines
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What is the difference between Corporate Identity and Corporate Design?
Corporate identity refers to the overall image and perception of a company, including its values, mission, and personality. It encompasses the company's culture, behavior, and communication style. On the other hand, corporate design focuses specifically on the visual elements of a company, such as its logo, color scheme, typography, and overall visual aesthetic. While corporate identity is more about the intangible aspects of a company's image, corporate design is about the tangible visual elements that represent the company.
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What creates identity?
Identity is created through a combination of factors such as personal experiences, cultural background, social interactions, and self-perception. Our upbringing, beliefs, values, and relationships all play a role in shaping who we are and how we see ourselves. Additionally, external influences such as societal norms, media representation, and historical context can also impact our identity formation. Ultimately, identity is a complex and multifaceted concept that is continuously evolving as we navigate through life.
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Who is responsible for the design of the last identity card?
The design of the last identity card is typically the responsibility of a government agency or department that oversees identification and documentation. This may involve collaboration with graphic designers, security experts, and other relevant professionals to ensure the card meets security standards and is visually appealing. The design process may also involve input from stakeholders and the general public to ensure the card meets the needs and expectations of its users.
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What is gender identity?
Gender identity is a deeply-held sense of one's own gender, which may or may not align with the sex assigned at birth. It is a personal understanding of oneself as male, female, a blend of both, or neither. Gender identity is separate from biological sex and can be fluid and diverse, encompassing a wide range of identities beyond the traditional binary of male and female. It is an integral aspect of a person's identity and how they perceive themselves in relation to the world.
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Oriental Interiors : Design, Identity, Space
Since the publication of Edward Said’s groundbreaking work Orientalism 35 years ago, numerous studies have explored the West’s fraught and enduring fascination with the so-called Orient.Focusing their critical attention on the literary and pictorial arts, these studies have, to date, largely neglected the world of interior design. Oriental Interiors is the first book to fully explore the formation and perception of eastern-inspired interiors from an orientalist perspective. Orientalist spaces in the West have taken numerous forms since the 18th century to the present day, and the fifteen chapters in this collection reflect that diversity, dealing with subjects as varied and engaging as harems, Turkish baths on RMS Titanic, Parisian bachelor quarters, potted palms, and contemporary yoga studios.It explores how furnishings, surface treatments, ornament and music, for example, are deployed to enhance the exoticism and pleasures of oriental spaces, looking across a range of international locations. Organized into three parts, each introduced by the editor, the essays are grouped by theme to highlight critical paths into the intersections between orientalist studies, spatial theory, design studies, visual culture and gender studies, making this essential reading for students and researchers alike.
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Fashion, Culture, and Identity
What do our clothes say about who we are or who we think we are?How does the way we dress communicate messages about our identity?Is the desire to be "in fashion" universal, or is it unique to Western culture?How do fashions change? These are just a few of the intriguing questions Fred Davis sets out to answer in this provocative look at what we do with our clothes--and what they can do to us.Much of what we assume to be individual preference, Davis shows, really reflects deeper social and cultural forces.Ours is an ambivalent social world, characterized by tensions over gender roles, social status, and the expression of sexuality.Predicting what people will wear becomes a risky gamble when the link between private self and public persona can be so unstable.
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Identity, Personal Identity and the Self
This volume collects a number of Perry's classic works on personal identity as well as four new pieces, The Two Faces of Identity,Persons and Information,Self-Notions and The Self, and The Sense of Identity.Perry’s Introduction puts his own work and that of others on the issues of identity and personal identity in the context of philosophical studies of mind and language over the past thirty years.
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Fashion and Motherhood : Image, Material, Identity
Motherhood, whether achieved through biological or other means, is not a rare experience; dressing oneself, even less so.The two phenomena are intimately linked, as both occur on and to the private body, and are also fully subject to social pressures and the changing tides of public opinion.They also, for anyone who experiences motherhood, define one another and work together to shape an individual’s identity and place in their culture. This rich collection explores the essential question of how motherhood and fashion interact, interrogating their relationships to power, misogyny, temporality, longing and embodiment, among other themes.The 13 essays examine representations on film, in popular print and literature; they use images, narrative and material evidence from the past to excavate the historical cleavages in how mothers have been expected to hide, display, share and sacrifice their bodies.An international range of scholars explores the 19th to the 21st centuries, tracing how fashion and motherhood have operated as powerfully interdependent experiences and continue to determine how women are judged and corralled, yet also find meaning, connection and strength.
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What is identity politics?
Identity politics refers to the political activity and movements that are based on the shared experiences and identities of specific social groups, such as race, gender, sexual orientation, or religion. It involves organizing and advocating for the rights and interests of these groups, often in response to systemic discrimination and inequality. Identity politics seeks to address the unique challenges and perspectives of marginalized communities and to promote social justice and equality for all individuals.
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What is Supergirl's identity?
Supergirl's identity is Kara Zor-El, a Kryptonian who is the cousin of Superman. She is also known as Kara Danvers, her human alter ego. As Supergirl, she possesses superhuman strength, speed, and the ability to fly, and she uses her powers to protect the Earth from various threats. In her civilian identity as Kara Danvers, she works as a reporter and tries to balance her personal life with her superhero responsibilities.
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Is gender identity sexist?
Gender identity itself is not inherently sexist. Gender identity is a deeply personal and individual experience that reflects a person's internal sense of their own gender, which may or may not align with the sex they were assigned at birth. However, societal norms, expectations, and stereotypes around gender can be sexist, as they often reinforce traditional gender roles and perpetuate inequality between genders. It is important to separate the concept of gender identity from these societal constructs in order to promote understanding and acceptance of diverse gender identities.
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What is identity theft?
Identity theft is a type of crime where someone wrongfully obtains and uses another person's personal information, such as their name, Social Security number, or credit card details, without their permission. This stolen information is then used to commit fraud or other illegal activities, often resulting in financial loss or damage to the victim's reputation. Identity theft can have serious consequences for the victim, including damage to their credit score, difficulty obtaining loans or credit, and potential legal issues. It is important for individuals to safeguard their personal information and regularly monitor their financial accounts to detect any suspicious activity.
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